Several weeks ago I came across an article on the BBC highlighting a new book of photography by Steve McCurry. The theme of McCurry’s project, displayed in this stunning book, is reading. Readers, to be more precise.
I immediately requested it through my library and have thoroughly enjoyed meandering through it.
On Reading, by Steve McCurry
published in 2016 by Phaidon Press
Even if you don’t know the name Steve McCurry, you know his photography. One of National Geographic’s most heralded photographers, McCurry’s most famous shot is probably Afghan Girl, taken in 1984.
On Reading is the result of his personal interest in capturing the faces, postures, environments of people around the world caught up in the act of reading. For forty years as he’s globe-trotted, he’s had his eye out for these images.
Paul Theroux, in his foreword, comments that “readers are seldom lonely or bored, because reading is a refuge and an enlightenment…It seems to me that there is always something luminous in the face of a person in the act of reading.”
Indeed, McCurry wondrously captures the focused absorption of readers old and young, rich and poor, from widely disparate cultures in this collection. It is gorgeous, immensely satisfying, and heartening.
McCurry himself was inspired by the earlier work of Hungarian-born photographer André Kertész who spent over 50 years observing and photographing readers. His work was likewise published in a book entitled On Reading, published in 1971 by Grossman Publishers. I checked that one out from my library, too!
The compelling, black-and-white photographs in this small book span the years 1915-1970. About half of them are from the 1960’s and most were shot in New York City and Paris.
The differences in the worlds and perspectives of these two books, despite their common theme, is remarkable. The work of Kertész has a much more spur of the moment, snapshot sense, whereas McCurry’s are bold, immersive, with subjects generally much closer to us.
Venice (young man reading on canal side), September 10, 1963
I love seeing the small dramas taking place on all these tiny stages in the world. On a particular day now long gone, an anonymous person was caught up in reading during one unscheduled moment, now frozen in time for us to contemplate.
Esztergam, Hungary, 1915
McCurry and Kertész both saw so much in this ordinary, transportive, monumental act. I love the way photographers help me see, and particularly how these two have helped me see the magic of reading woven through time and across cultures.